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When the time arrived for the Sonata, dusk had fallen and the gallery was bathed in gloom, but the museum authorities permitted no artificial light whatsoever.

This never appeared; it has been speculated that whatever work Franck had done on that piece was put aside, and eventually ended up in the sonata he wrote for Ysaÿe in 1886.

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Its technical problems include frequent extreme extended figures—the composer himself having possessed huge hands—and virtuoso runs and leaps, particularly in the second movement though some passages can be facilitated by employing a spare hand to cover some notes.

Mutter has performed the Violin Sonata in A major by César Franck many times and her opening melody usually has a tentative voice — only to increase in volume and character later.

It came as little surprise that Maisky performed this lovely work with a fundamentally Romantic view.