All flesh is sad you see.
In Mistral's collection you will encounter anonymous women whose fate is drawn in the titles of poems with a few brushstrokes only, for instance 'The Abandoned Woman', 'Prisoner's Woman' or 'She Who Waits'.
The poetry itself I was mixed about.
Despite their origin, they are not marble statues.
Oh, how the night owl calls, calling, calling from its tree! And our four kingdoms, we said, So vast and great would be, That as certain as the Koran They would all reach the sea.
Ballads continue to maintain the recognition gained during the Medieval Period by appealing to people today.
Gabriela Mistral is a very interesting historical figure I wish I knew more about before.
The mistreatment of nature obviously infuriated Mistral, but her cause went beyond that, to the immoral and often criminal treatment of each other, especially of women and children.